Project Gutenberg's A Woman's Love Letters, by Sophie M. Almon-Hensley

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org


Title: A Woman's Love Letters

Author: Sophie M. Almon-Hensley

Release Date: May 8, 2006 [EBook #18351]

Language: English

Character set encoding: ISO-8859-1

*** START OF THIS PROJECT GUTENBERG EBOOK A WOMAN'S LOVE LETTERS ***




Produced by Thierry Alberto, Christine D. and the Online
Distributed Proofreading Team at http://www.pgdp.net (This
file was produced from images generously made available
by the Canadian Institute for Historical Microreproductions
(www.canadiana.org))






The Fleur de Lis Poets.

A WOMAN'S
LOVE LETTERS.

BY SOPHIE M. ALMON-HENSLEY

crest

NEW YORK. J. SELWIN TAIT
AND SONS, NUMBER SIXTY-FIVE
FIFTH AVENUE.


Copyright, 1895
BY
J. SELWIN TAIT & SONS
New York


CONTENTS.

A Dream,1
Dream-Song,8
Doubt,9
Song,13
Anticipation,14
Song,18
Misunderstanding,19
Shadow-Song,23
Revulsion,24
A Song of Dawn,27
Weariness,28
A Song of Rest,31
Death,33
Battle-Song,38
Content,39
Sea-Song,42
Gratitude,44
Song,48
Prayer,49
Song,53
Loneliness,54
Sea-Song,57
Incompleteness,59
Song,65
Life's Joys,65
Song,70
Barter,72
Song,76
To-morrow,78
Song,82

[Pg 1]


A Dream.

I stood far off above the haunts of men
Somewhere, I know not, when the sky was dim
From some worn glory, and the morning hymn
Of the gay oriole echoed from the glen.
Wandering, I felt earth's peace, nor knew I sought
A visioned face, a voice the wind had caught.
I passed the waking things that stirred and gazed,
Thought-bound, and heeded not; the waking flowers
Drank in the morning mist, dawn's tender showers,
[Pg 2] And looked forth for the Day-god who had blazed
His heart away and died at sundown. Far
In the gray west faded a loitering star.
It seemed that I had wandered through long years,
A life of years, still seeking gropingly
A thing I dared not name; now I could see
In the still dawn a hope, in the soft tears
Of the deep-hearted violets a breath
Of kinship, like the herald voice of Death.
Slow moved the morning; where the hill was bare
Woke a reluctant breeze. Dimly I knew
My Day was come. The wind-blown blossoms threw
Their breath about me, and the pine-swept air
Grew to a shape, a mighty, formless thing,
A phantom of the wood's imagining.
[Pg 3]
And as I gazed, spell-bound, it seemed to move
Its tendril limbs, still swaying tremulously
As if in spirit-doubt; then glad and free
Crystalled the being won from waiting grove
Into a human likeness. There he stood,
The vine-browed shape of Nature's mortal mood.
"Now have I found thee, Vision I have sought
These years, unknowing; surely thou art fair
And inly wise, and on thy tasselled hair
Glows Heaven's own light. Passion and fame are naught
To thy clear eyes, O Prince of many lands,—
Grant me thy joy," I cried, and stretched my hands.
No answer but the flourish of the breeze
Through the black pines. Then, slowly, as the wind
[Pg 4] Parts the dense cloud-forms, leaving naught behind
But shapeless vapor, through the budding trees
Drifted some force unseen, and from my sight
Faded my god into the morning light.
Again alone. With wistful, straining eyes
I waited, and the sunshine flecked the bank
Happy with arbutus and violets where I sank
Hearing, near by, a host of melodies,
The rapture of the woodthrush; soft her mood
The love-mate, with such golden numbers woo'd.
He ceased; the fresh moss-odors filled the grove
With a strange sweetness, the dark hemlock boughs
Moved soft, as though they heard the brooklet rouse
To its spring soul, and whisper low of love.
[Pg 5] The white-robed birches stood unbendingly
Like royal maids, in proud expectancy.
Athwart the ramage where the young leaves press
It came to me, ah, call it what you will
Vision or waking dream, I see it still!
Again a form born of the woodland stress
Grew to my gaze, and by some secret sign
Though shadow-hid, I knew the form was thine.
The glancing sunlight made thy ruddy hair
A crown of gold, but on thy spirit-face
There was no smile, only a tender grace
Of love half doubt. Upon thy hand a rare
Wild bird of Paradise perched fearlessly
With radiant plumage and still, lustrous eye.
And as I gazed I saw what I had deemed
A shadow near thy hand, a dusky wing,
A bird like last year's leaves, so dull a thing
Beside its fellow; as the sunshine gleamed
[Pg 6] Each breast showed letters bright as crystalled rain,
The fair bird bore "Delight," the other "Pain."
Then came thy voice: "O Love, wilt have my gift?"
I stretched my glad hands eagerly to grasp
The heaven-blown bird, gold-hued, and longed to clasp
It close and know it mine. Ere I might lift
The shining thing and hold it to my breast
Again I heard thy voice with vague unrest.
"These are twin birds and may not parted be."
Full in thine eyes I gazed, and read therein
The paradox of life, of love, of sin,
As on a night of cloud and mystery
One darting flash makes bright the hidden ways,
And feet tread knowingly though thick the haze.
[Pg 7]
Thy gift, if so I chose,—no other hand
Save thine.—I reached and gathered to my heart
The quivering, sentient things.—Sometimes I start
To know them hidden there.—If I should stand
Idly, some day, and one,—God help me!—breast
A homing breeze,—my brown bird knows its nest.
[Pg 8]

Dream-Song.

Cam'st thou not nigh to me
In that one glimpse of thee
When thy lips, tremblingly,
Said: "My Beloved."
'Twas but a moment's space,
And in that crowded place
I dared not scan thy face
O! my Beloved.
Yet there may come a time
(Though loving be a crime
Only allowed in rhyme
To us, Beloved),
When safe 'neath sheltering arm
I may, without alarm,
Hear thy lips, close and warm,
Murmur: "Beloved!"
[Pg 9]

Doubt.

I do not know if all the fault be mine,
Or why I may not think of thee and be
At peace with mine own heart. Unceasingly
Grim doubts beset me, bygone words of thine
Take subtle meaning, and I cannot rest
Till all my fears and follies are confessed.
Perhaps the wild wind's questioning has brought
My heart its melancholy, for, alone
In the night stillness, I can hear him moan
In sobbing gusts, as though he vainly sought
Some bygone bliss. Against the dripping pane
In storm-blown torrents beats the driving rain.
[Pg 10]
Nay I will tell thee all, I will not hide
One thought from thee, and if I do thee wrong
So much the more must I be brave and strong
To show my fault. And if thou then shouldst chide
I will accept reproof most willingly
So it but bringeth peace to thee and me.
I dread thy past. Phantoms of other days
Pursue my vision. There are other hands
Which thou hast held, perchance some slender bands
That draw thee still to other woodland ways
Than those which we have known, some blissful hours
I do not share, of love, and June, and flowers.
I dread her most, that woman whom thou knewest
Those years ago,—I cannot bear to think
That she can say: "My lover praised the pink
[Pg 11] Of palm, or ear," "The violets were bluest
In that dear copse," and dream of some fair day
When thou didst while her summer hours away.
I dread them too, those light loves and desires
That lie in the dim shadow of the years;
I fain would cheat myself of all my fears
And, as a child watching warm winter fires,
Dream not of yesterday's black embers, nor
To-morrow's ashes that may strew the floor.
I did not dream of this while thou wert near,
But now the thought that haunts me day by day
Is that the things I love, the tender way
Of mastery, the kisses that are dear
As Heaven's best gifts, to other lips and arms
Owe half their blessedness and all their charms.
[Pg 12]
Tell me that I am wrong, O! Man of men,
Surely it is not hard to comfort me,
Laugh at my fears with dear persistency,
Nay, if thou must, lie to me! There, again,
I hear the rain, and the wind's wailing cry
Stirs with wild life the night's monotony.
[Pg 13]

Song.

If I had known
That when the morrow dawned the roses would be dead
I would have filled my hands with blossoms white and red.
If I had known!
If I had known
That I should be to-day deaf to all happy birds
I would have lain for hours to listen to your words.
If I had known!
If I had known
That with the morning light you would be gone for aye
I would have been more kind;—sweet Love had won his way
If I had known.
[Pg 14]

Anticipation.

Let us peer forward through the dusk of years
And force the silent future to reveal
Her store of garnered joys; we may not kneel
For ever, and entreat our bliss with tears.
Somewhere on this drear earth the sunshine lies,
Somewhere the air breathes Heaven-blown harmonies.
Some day when you and I have fully learned
Our waiting-lesson, wondering, hand in hand
We shall gaze out upon an unknown land,
Our thoughts and our desires forever turned
From our old griefs, as swallows, home warding,
Sweep ever southward with unwearied wing.
[Pg 15]
We shall fare forth, comrades for evermore.
Though the ill-omened bird Time loves to bear
Has brushed this cheek and left an impress there
I shall be fierce and dauntless as of yore,
Free as a bird o'er the wide world to rove,
And strong and fearless, O my Love, to love.
What have we now? The haunting, vague unrest
Of incompleted measures; and we dream
Vainly, of the Musician and His theme,
How the great Master in a day most blest
Shall strike some mighty chords in harmony,
And make an end, and set the music free!
We snatch from Fate our moments of delight,
Few as, in April hours, the wooing calls
Of orioles, or when the twilight falls
First o'er the forest ere the approach of night
[Pg 16] The eyes of evening;—and Love's song is sung
But once, Dear Heart, but once, and we are young.
Over the seas together, you and I,
'Neath blue Italian skies, or on the hills
Of storied Greece,—where the warm sunlight fills
Spain's mellow vineyards,—wandering reverently
O'er the green plains of Palestine,—our days
A golden holiday in Old World ways.
Yet would we linger not by southern shores;
The bracing breath of Scandinavian snows
Would draw us from our dreams. The North wind blows
Upon thy cheek, my Norseman, and the roars
Of the wild Baltic sound within my ears
When to my dreams thy stalwart form appears.
[Pg 17]
This will the future bring. See! Thou hast given
From out the fulness of thy strength and will
This courage to me. Though the rugged hill
Looms high, and fronts our vision, yet our heaven
(I see it when I sleep) with portals wide
And shining towers, gleams on the farther side.
[Pg 18]

Song.

"Tshirr!" scolds the oriole
Where the elms stir,
Flaunting her gourd-like nest
On the tree's swaying crest:
"May's here, I cannot rest,
Go away; tshirr!"
"Tshirr!" scolds the oriole
Where the leaves blur,
Giving her threads a jerk,
Spying where rivals lurk,
"May's here, and I'm at work.
Go away, tshirr!"
[Pg 19]

Misunderstanding.

Spring's face is wreathed in smiles. She had been driven
Hither and thither at the surly will
Of treacherous winds till her sweet heart was chill.
Into her grasp the sceptre has been given
And now she touches with a proud young hand
The earth, and turns to blossoms all the land.
We catch the smile, the joyousness, the pride,
And share them with her. Surely winter gloom
Is for the old, and frost is for the tomb.
Youth must have pleasure, and the tremulous tide
[Pg 20] Of sun-kissed waves, and all the golden fire
Of Summer's noontide splendor of desire.
I have forgotten,—for the breath of buds
Is on my temples, if in former days
I have known sorrow; I remember praise,
And calm content, and joy's great ocean-floods,
And many dreams so sweet that, in their place,
We would not welcome even Truth's fair face.
O Man to whom my heart hast leaned, dost know
Aught of my life? Sometimes a strong despair
Enters my soul and finds a lodging there;
Thou dost not know me, and the years will go
As these last months have gone, and I shall be
Still far, still a strange woman unto thee.
[Pg 21]
I do not blame thee. If there is a fault
Let it be mine, for surely had I tried
The door of my heart's home to open wide
No need had been for even Love's assault.
And yet, methinks, somewhere there is a key
Thou mightest have found, and entered happily.
I am no saint niched in a hallowed wall
For men to worship, but I would compel
A level gaze. You teachers who would tell
A woman's place I do defy you all!
While justice lives, and love with joy is crowned
Woman and man must meet on equal ground.
The deepest wrong is falsehood. She who sells
Her soul and body for a little gain
In ease, or the world's notice, has a stain
Upon her soul no lighter for the bells
[Pg 22] Of marriage rites, and purer far is she
Who gives her all for love's sad ecstasy.
Canst thou not understand a nature strong
And passionate, with impulses that sway,
With yearning tenderness that must have way,
Yet knows no ill desire, no touch of wrong?
If thou canst not then in God's name I pray
See me no more forever from this day.
[Pg 23]

Shadow Song.

The night is long
And there are no stars,—
Let me but dream
That the long fields gleam
With sunlight and song,
Then I shall not long
For the light of stars.
Let me but dream,—
For there are no stars,—
Dream that the ache
And the wild heart-break
Are but things that seem.
Ah! let me dream
For there are no stars.
[Pg 24]

Revulsion.

I see the starting buds, I catch the gleam
In the near distance of a sun-kissed pool,
The blessed April air blows soft and cool,
Small wonder if all sorrow grows a dream,
And we forget that close around us lie
A city's poor, a city's misery.
Of every outward vision there is some
Internal counterpart. To-day I know
The blessedness of living, and the glow
Of life's dear spring-tide. I can bid thee come
In thought and wander where the fields are fair
With bursting life, and I, rejoicing, there.
Yet have I passed, Beloved, through the vale
Of dark dismay, and felt the dews of death
Upon my brow, have measured out my breath
[Pg 25] Counting my hours of joy, as misers quail
At every footfall in the quiet night
And clutch their gold and count it in affright.
I learned new lessons in that school of fear,
Life took a fresh perspective; sad and brave
The view is from the threshold of the grave.
In that long, backward glance I saw her clear
From fogs of gathering night, and all the show
Of small things that seemed great a while ago.
Our dreams of fame, the stubborn power we call
Our self-respect, our hopes of worldly good,
Our jealousies and fears, how in the flood
Of this new light they faded, poor and small;
[Pg 26] Showing our pettiness beside God's truth,
Besides His age our poor, unlearned youth.
The earth yearns forth, impatient for the days
Of its maturity, the ample sweets
Of Summer's fulness; and its great heart beats
With a fierce restlessness, for Spring delays
Seeing her giddy reign end all too soon,
Her bud-crown ravished by the hand of June.
And I,—I shall be happy,—promise me
This one small thing, Beloved, for I long
For happiness as the caged bird for song.
Not where four walls close in the melody
I want the fresh, sweet air, the water's gush,
The strong, sane life with thee, the summer hush.
[Pg 27]

A Song of Dawn.

In the east a lightening;
Where the woods are chill
Moves an unseen finger,
Wakes a sudden thrill;
In my soul a glimmer,
Hush! no words are heard!
In heart-ambush hidden
Chirrup of a bird;
Tremble heart and forest
Like a frightened fawn,
Gleam the distant tree-tops,
Hither comes the dawn!
[Pg 28]

Weariness.

This April sun has wakened into cheer
The wintry paths of thought, and tinged with gold
These threadbare leaves of fancy brown and old.
This is for us the wakening of the year
And May's sweet breath will draw the waiting soul
To where in distance lies the longed-for goal.
The summer life will still all questioning,
The leaves will whisper peace, and calm will be
The wild, vast, blue, illimitable sea.
And we shall hush our murmurings, and bring
To Nature, green below and blue above,
A whole life's worshipping, a whole life's love.
[Pg 29]
We will not speak of sometime fretting fears,
We will not think of aught that may arise
In future hours to cloud our golden skies.
Some souls there are who love their woes and tears,
Gaining their joy by contrast, but for thee
And me, Beloved, peace is ecstasy.
It was not always so, there was a time
When I would choose the rocky mountain way,
And climb the hills of doubt to find the day.
Fresh effort brought fresh zest, and winter's rime
Chilled not but crowned endeavor, and the heat
Of summer thrilled, and made the pulses beat.
But now I am so weary that I turn
From labor with a shudder, and from pain
[Pg 30] As from an enemy; I see no gain
In suffering, and cleansing fires must burn
As keenly as desire, so let me know
Quiet with thee, and twilight's afterglow.
I, who have boasted of my strength and will,
And ventured daring flights, and stood alone
In fearless, flushed defiance, I have grown
Humble, and seek another hand to fill
Life's cup, and other eyes to pierce the skies
Of Wisdom's dear, sad, mighty mysteries.
Ah! I will lie so quiet in thine arms
I will not stir thee; and thy whisperings
Shall teach me patience, and so many things
I have not learned as yet. And all alarms
Will melt in peace when, safe from tempest's rage
My wind-tossed ship has found its anchorage.
[Pg 31]

A Song of Rest.

The world may rage without,
Quiet is here;
Statesmen may toil and shout,
Cynics may sneer;
The great world—let it go—
June warmth be March's snow,
I care not—be it so
Since I am here.
Time was when war's alarm
Called for a fear,
When sorrow's seeming harm
Hastened a tear;
Naught care I now what foe
Threatens, for scarce I know
How the year's seasons go
Since I am here.
[Pg 32]
This is my resting-place
Holy and dear,
Where Pain's dejected face
May not appear.
This is the world to me,
Earth's woes I will not see
But rest contentedly
Since I am here.
Is't your voice chiding, Love,
My mild career?
My meek abiding, Love,
Daily so near?
"Danger and loss" to me?
Ah, Sweet, I fear to see
No loss but loss of Thee
And I am here.
[Pg 33]

Death.

If days should pass without a written word
To tell me of thy welfare, and if days
Should lengthen out to weeks, until the maze
Of questioning fears confused me, and I heard.
Life-sounds as echoes; and one came and said
After these weeks of waiting: "He is dead!"
Though the quick sword had found the vital part,
And the life-blood must mingle with the tears,
I think that, as the dying soldier hears
The cries of victory, and feels his heart
[Pg 34] Surge with his country's triumph-hour, I could
Hope bravely on, and feel that God was good.
I could take up my thread of life again
And weave my pattern though the colors were
Faded forever. Though I might not dare
Dream often of thee, I should know that when
Death came to thee upon thy lips my name
Lingered, and lingers ever without blame.
Aye, lingers ever. Though we may not know
Much that our spirits crave, yet is it given
To us to feel that in the waiting Heaven
Great souls are greater, and if God bestow
A mighty love He will not let it die
Through the vast ages of eternity.
[Pg 35]
But if some day the bitter knowledge swept
Down on my life,—bearing my treasured freight
To founder on the shoals of scorn,—what Fate
Smiling with awful irony had kept
Till life grew sweeter,—that my god was clay,
That 'neath thy strength a lurking weakness lay;
That thou, whom I had deemed a man of men
Faulty, as great men are, but with no taint
Of baseness,—with those faults that shew the saint
Of after days, perhaps,—wert even then
When first I loved thee but a spreading tree
Whose leaves shewed not its roots' deformity;
[Pg 36]
I should not weep, for there are wounds that lie
Too deep for tears,—and Death is but a friend
Who loves too dearly, and the parting end
Of Love's joy-day a paltry pain, a cry
To God, then peace,—beside the torturing grief
When honor dies, and trust, and soul's belief.
Travellers have told that in the Java isles
The upas-tree breathes its dread vapor out
Into the air; there needs no hand about
Its branches for the poison's deadly wiles
To work a strong man's hurt, for there is death
Envenomed, noisome, in his every breath.
So would I breathe thy poison in my soul,
Till all that had been wholesome, pure, and true
Shewed its decay, and stained and wasted grew.
[Pg 37] Though sundered as the distant Northern Pole
From his far sister, I should bear thy blight
Upon me as I passed into the night.
Didst dream thy truth and honor meant so much
To me, Dear Heart? Oh! I am full of tears
To-night, of longing, love and foolish fears.
Would I might see thee, know thy tender touch,
For Time is long, and though I may not will
To question Fate, I am a woman still.
[Pg 38]

Battle Song.

Clear sounds the call on high:
"To arms and victory!"
Brave hearts that win or die,
Dying, may win;
Proudly the banners wave,
What though the goal's the grave?
Death cannot harm the brave,—
Through death they win.
Softly the evening hush
Stilling strife's maddened rush
Cools the fierce battle flush,—
See the day die;
A thousand faces white
Mirror the cold moonlight
And glassy eyes are bright
With Victory.
[Pg 39]

Content.

I have been wandering where the daisies grow,
Great fields of tall, white daisies, and I saw
Them bend reluctantly, and seem to draw
Away in pride when the fresh breeze would blow
From timothy and yellow buttercup,
So by their fearless beauty lifted up.
Yet must they bend at the strong breeze's will,
Bright, flawless things, whether in wrath he sweep
Or, as oftimes, in mood caressing, creep
Over the meadows and adown the hill.
So Love in sport or truth, as Fates allow,
Blows over proud young hearts, and bids them bow.
[Pg 40]
So beautiful is it to live, so sweet
To hear the ripple of the bobolink,
To smell the clover blossoms white and pink,
To feel oneself far from the dusty street,
From dusty souls, from all the flare and fret
Of living, and the fever of regret.
I have grown younger; I can scarce believe
It is the same sad woman full of dreams
Of seven short weeks ago, for now it seems
I am a child again, and can deceive
My soul with daisies, plucking one by one
The petals dazzling in the noonday sun.
Almost with old-time eagerness I try
My fate, and say: "un peu," a soft "beaucoup,"
Then, lower, "passionément, pas du tout;"
Quick the white petals fall, and lovingly
[Pg 41] I pluck the last, and drop with tender touch
The knowing daisy, for he loves me "much."
I can remember how, in childish days,
I deemed that he who held my heart in thrall
Must love me "passionately" or "not at all."
Poor little wilful ignorant heart that prays
It knows not what, and heedlessly demands
The best that life can give with out-stretched hands!
Now I am wiser, and have learned to prize
Peace above passion, and the summer life
Here with the flowers above the ceaseless strife
Of armed ambitions. They alone are wise
Who know the daisy-secrets, and can hold
Fast in their eager hands her heart of gold.
[Pg 42]

Sea-Song.

A dash of spray,
A weed-browned way,—
My ship's in the bay,
In the glad blue bay,—
The wind's from the west
And the waves have a crest,
But my bird's in the nest
And my ship's in the bay!
At dawn to stand
Soft hand to hand,
Bare feet on the sand,—
On the hard brown sand,—
To wait, dew-crowned,
For the tarrying sound
Of a keel that will ground
On the scraping sand.
[Pg 43]
A glad surprise
In the wind-swept skies
Of my wee one's eyes,—
Those wondering eyes.
He will come, my sweet,
And will haste to meet
Those hurrying feet
And those sea-blue eyes.
I know the day
Must weary away,
And my ship's in the bay,—
In the clear, blue bay,—
Ah! there's wind in the west,
For the waves have a crest,
But my bird's in the nest
And my ship's in the bay!
[Pg 44]

Gratitude.

There are some things, dear Friend, are easier far
To say in written words than when we sit
Eye answering eye, or hand to hand close knit.
Not that there is between us any bar
Of shyness or reserve; the day is past
For that, and utter trust has come at last.
Only, when shut alone and safe inside
These four white walls,—hearing no sound except
Our own heart-beatings, silences have crept
Stealthily round us,—as the incoming tide
Quiet and unperceived creeps ever on
Till mound and pebble, rock and reef are gone.
[Pg 45]
Or out on the green hillside, even there
There is a hush, and words and thoughts are still.
For the trees speak, and myriad voices fill
With wondrous echoes all the waiting air.
We listen, and in listening must forget
Our own hearts' murmur, and our spirits' fret;
Even our joys,—thou knowest;—when the air
Is full to overflowing with the sense
Of hope fulfilled and passion's vehemence.
There is no place for words; we do not dare
To break Love's stillness, even though the power
Were ours by speech to lengthen out the hour.
But here in quietness I can recall
All I would tell thee, how thou art to me
Impulse and inspiration, and with thee
I can but smile though all my idols fall.
[Pg 46] I wait my meed as others who have known
Patience till to their utmost stature grown.
As when the heavens are draped in gloomy gray
And earth is tremulous with a vague unrest
A glory fills the tender, troubled West
That glads the closing of November's day,
So breaks in sun-smiles my beclouded sky
When day is over and I know thee nigh.
Thou art so much, all this and more, to me,
And what am I to thee? Can I repay
These many gifts? Is there no royal way
Of recompense, so I may proudly see
The man my heart delights to praise renowned
For wealth and honor, and with rapture crowned?
[Pg 47]
Ah! though there is no recompense in love
Yet have I paid thee, given these gifts to thee,
Joy, riches, worship. Thou hast joy in me,
Is it not so, Beloved? Who shall prove
No worship of thee by my soul confessed?
And riches? Ah! a wealth of love is best.
[Pg 48]

Song.

I have known a thousand pleasures,—
Love is best—
Ocean's songs and forest treasures,
Work and rest,
Jewelled joys of dear existence,
Triumph over Fate's resistance,
But to prove, through Time's wide distance,
Love is best.
[Pg 49]

Prayer.

I stood upon a hill, and watched the death
Of the day's turmoil. Still the glory spread
Cloud-top to cloud-top, and each rearing head
Trembled to crimson. So a mighty breath
From some wild Titan in a rising ire
Might kindle flame in voicing his desire.
Soft stirred the evening air; the pine-crowned hills
Glowed in an answering rapture where the flush
Grew to a blood-drop, and the vesper hush
Moved in my soul, while from my life all ills
Faded and passed away. God's voice was there
And in my heart the silence was a prayer.
[Pg 50]
There was a day when to my fearfulness
Was born a joy, when doubt was swept afar
A shadow and a memory, and a star
Gleamed in my sky more bright for the distress.
The stillness breathed thanksgiving, and the air
Wafted, methought, the incense of a prayer.
Heaven sets no bounds of bead-roll or appeal;
And when the fiery heart with mute embrace
Bends, tremblingly, but for a moment's space
It needs no words that cry, no limbs that kneel.
As meteors flash, so, in a moment's light,
Life, darting forth, touches the Infinite.
All my prayers wordless? Nay, I can recall
A night not so long past but that each thought
[Pg 51] Lives at this hour, and throbs again unsought
When Silence broods, and Night's chill shadows fall;
Then Darkness' thousand pulses thrilled and stirred
With the dear grace of a remembered word;
And I was still, thy voice enshrouding me.
Like the strong sweep of ocean-breath the power
Of one resistless thought transformed my hour
Of love-dreams to a fear. All hopelessly
I knew love's impotence, and my despair
Stretched soul-hands forth, and quivered to a prayer.
My passionate heart cried out: "If his dear life
Through stress of keen temptation merits aught
Of penance or requital, be it wrought
Upon my life. If only through the strife
[Pg 52] Is won the peace, through drudgery the gain,
Give him the issue, and to me the pain!"
Some day, in our soul's course o'er trackless lands,
Swayed oft by adverse winds, or swept along
In Fate's wild current with the fluttering throng
Towards Sin's engulfing maelstrom, spirit hands
Will brace our trembling wings, and through the night
Point and upbear in our last trembling flight.
[Pg 53]

Song.

Red gleams the mountain ridge,
Slow the stream creeps
Under the old bent bridge,
And labor sleeps.
There are no restless birds,
No leaves that stir,
Dusk her gray mantle girds,
Night's harbinger.
The storm-soul's change and start
Pause, lull, and cease;
In my unquiet heart
Is born a peace.
[Pg 54]

Loneliness.

Dear, I am lonely, for the bay is still
As any hill-girt lake; the long brown beach
Lies bare and wet. As far as eye can reach
There is no motion. Even on the hill
Where the breeze loves to wander I can see
No stir of leaves, nor any waving tree.
There is a great red cliff that fronts my view
A bare, unsightly thing; it angers me
With its unswerving-grim monotony.
The mackerel weir, with branching boughs askew
Stands like a fire-swept forest, while the sea
Laps it, with soothing sighs, continually.
[Pg 55]
There are no tempests in this sheltered bay,
The stillness frets me, and I long to be
Where winds sweep strong and blow tempestuously,
To stand upon some hill-top far away
And face a gathering gale, and let the stress
Of Nature's mood subdue my restlessness.
An impulse seizes me, a mad desire
To tear away that red-browed cliff, to sweep
Its crest of trees and huts into the deep;
To force a gap by axe, or storm, or fire,
And let rush in with motion glad and free
The rolling waves of the wild wondrous sea.
Sometimes I wonder if I am the child
Of calm, law-loving parents, or a stray
From some wild gypsy camp. I cannot stay
Quiet among my fellows; when this wild
Longing for freedom takes me I must fly
To my dear woods and know my liberty.
[Pg 56]
It is this cringing to a social law
That I despise, these changing, senseless forms
Of fashion! And until a thousand storms
Of God's impatience shall reveal the flaw
In man's pet system, he will weave the spell
About his heart and dream that all is well.
Ah! Life is hard, Dear Heart, for I am left
To battle with my old-time fears alone
I must live calmly on, and make no moan
Though of my hoped-for happiness bereft.
Thou wilt not come, and still the red cliff lies
Hiding my ocean from these longing eyes.
[Pg 57]

Sea-Song.

It sings to me, it sings to me,
The shore-blown voice of the blithesome sea!
Of its world of gladness all untold,
Of its heart of green, and its mines of gold,
And desires that leap and flee.
It moans to me, it moans to me!
The storm-stirred voice of the restive sea!
Of the vain dismay and the yearning pain
For hopes that will never be born again
From the womb of the wavering sea.
It calls to me, it calls to me,
The luring voice of the rebel sea!
And I long with a love that is born of tears
For the wild fresh life, and the glorying fears,
For the quest and the mystery.
[Pg 58]
It wails to me, it wails to me,
Of the deep dark graves in the yawning sea;
And I hear the voice of a boy that is gone.
But the lad sleeps sound till the judgment-dawn
In the heart of the wind-swept sea.
[Pg 59]

Incompleteness.

Since first I met thee, Dear, and long before
I knew myself beloved, save by the sense
All women have, a shadowy confidence
Half-fear, that feels its bliss nor asks for more,
I have learned new desires, known Love's distress
Sounded the deepest depths of loneliness.
I was a child at heart, and lived alone,
Dreaming my dreams, as children may, at whiles,
Between their hours of play, and Earth's broad smiles
Allured my heart, and ocean's marvellous tone
Woke no strange echoes, and the woods' complain
Made chants sonorous, stirred no thoughts of pain.
[Pg 60]
And if, sometimes, dear Nature spoke to me
In tones mysterious, I had learned so much
Dwelling beside her daily, that her touch
Made me discerning. Though I might not see
Her purpose nor her meaning, I had part
In the proud throbbing of that mighty heart.
But now the earth has put a tiring-cloth
About her face; even in the mountains' cheer
There is a lack, and in the sea a fear,
The glad, rash sea, whose every mood, if wroth
Or soothing mild, is dear to me as are
Joy's new-born kisses on the lips of Care.
Since I have known thee, Dear, all life has grown
An expectation. As the swelling grain
Trembles to harvesting, and earth in pain
Travails till Spring is born, so felt alone
[Pg 61] Is the dumb reaching out of things unborn,
The night's gray promise of the amber morn.
I long to taste my pleasures through thy lips,
To sail with thee o'er foaming waves and feel
Our spirits rise together with the reel
Of waters and the wavering land's eclipse;
To see thy fair hair damp with salt sea-spray
And in thine eyes the wildness of the way.
I long to share my woods with thee, to fly
To some black-hearted forest where the trail
Of mortals lingers not,—to hear the gale.
Sweep round us with a shuddering ecstasy,
To feel, night's tumult passed, the cool soft hand
Of the untroubled dawn move o'er the land.
[Pg 62]
To swim with thee far out into the bay,
A trembling glitter on the waves, the shore
Glowing with noontide fervor, nevermore
To fear the treacherous depths, though long the way.
Sweet beyond words the sighs that breathe and blow,
The moist salt kisses, and the glad warm glow.
And when the unrest, the vague desires that rush
Over our lives and may not be denied,—
Gone in the tasting,—lure us where the tide
Of men sweeps on, let us forget the hush
Together, and in city madness drain
Our cup of pleasure to its dregs of pain.
Ever I need thee. Incomplete and poor
This life of mine. Yet never dream my soul
Craves the old peace. Till I may have the whole
[Pg 63] My joy is my abiding, and what more
Of dreams and waking bliss the Fates allow
Comes as a gift of Love's great overflow.
[Pg 64]

Song.

Deep in the green bracken lying,
Close by the welcoming sea,
Dream I, and let all my dreaming
Drift as it will, Love, to thee.
Sated with splendid caresses
Showered by the sun in his pride,
Scorched by his passionate kisses
Languidly ebbs the tide.
[Pg 65]

Life's Joys.

I have been pondering what our teachers call
The mystery of Pain; and lo! my thought
After it's half-blind reaching out has caught
This truth and held it fast. We may not fall
Beyond our mounting; stung by life's annoy,
Deeper we feel the mystery of Joy.
Sometimes they steal across us like a breath
Of Eastern perfume in a darkened room,
These joys of ours; we grope on through the gloom
Seeking some common thing, and from its sheath
[Pg 66] Unloose, unknowing, some bewildering scent
Of spice-thronged memories of the Orient.
Sometimes they dart across our turbid sky
Like a quick flash after a heated day.
A moment, where the sombrous shadows lay
We see a glory. Though it passed us by
No earthly power can filch that dazzling glow
From memory's eye, that instant's shine and show.
Life is so full of joys. The alluring sea,
This morning clear and placid, may, ere night,
Toss like a petulant child, and when the light
Of a new morning dawns sweep grand and free
A mighty power. If fierce, or mild, or bright,
With every tide flows in a fresh delight.
[Pg 67]
I can remember well when first I knew
The fragrance of white clover. There I lay
On the warm July grass and heard the play
Of sun-browned insects, and the breezes blew
To my drowsed sense the scent the blossoms had;
The subtle sweetness stayed, and I was glad.
Nor passed the gladness. Though the years have gone
(A many years, Beloved, since that day,)
Whenever by the roadside or away
In radiant summer fields, wandering alone
Or with glad children, to my restless sight
Shows that pale head, comes back the old delight.
Oh! the dark water, and the filling sail!
[Pg 68] The scudding like a sea-mew, with the hand
Firm on the tiller! See, the red-shored land
Receding, as we brave the hastening gale!
White gleam the wave-tops, and the breakers' roar
Sounds thunderingly on the far distant shore.
This mad hair flying in the breeze blows wild
Across my face. See, there, the gathering squall,
That dark line to the eastward, watch it crawl
Stealthily towards us o'er the snow-wreaths piled
Close on each other! Ah! what joy to be
Drunk with salt air, in battle with the sea!
So many joys, and yet I have but told
Of simple things, the joys of air and sea!
Not all these things are worth one hour with thee,
[Pg 69] One moment, when thy daring arms enfold
My body, and all other, meaner joys,
Fade from me like a child's forgotten toys.
One thought is ever with me, glorying all
Life's common aims. Surely will dawn a day
Bright with an unknown rapture, when thy way
Will be my journey-road, and I can call
These joys our joys, for thou wilt walk with me
Down budding pathways to the abounding sea.
[Pg 70]

Song.

Low laughed the Columbine,
Trembled her petals fine
As the breeze blew;
In her dove-heart there stirred
Murmurs the dull bee heard,
And Love, Life's wild white bird,
Straightway she knew.
Resting her lilac cheek
Gently, in aspect meek,
On the gray stone,
The morning-glory, free,
Welcomed the yellow bee,
Heard the near-rolling sea
Murmur and moan.
[Pg 71]
Calm lay the tawny sand
Stretching a long wet hand
To the far wave.
Swift to her warm waiting breast
Longing to be possessed
Leaps 'neath his billowy crest
Her Lover brave.
[Pg 72]

Barter

There is a long thin line of fading gold
In the far West, and the transfigured leaves
On some slight, topmost bough that sways and heaves
Hang limp and tremulous. Nor warm, nor cold
The pungent air, and, 'neath the yellow haze,
Show flushed and glad the wild, October ways.
There is a soft enchantment in the air,
A mystery the Summer knows not, nor
The sturdy, frost-crowned Winter. Nature wore
Her blandest smile to-day, as here and there
[Pg 73] I wandered, elf-beset, through wood and field
And gleaned the glories of the autumn yield.
A bunch of purple aster, golden-rod
Darkened by the first frost, a drooping spray
Of scarlet barberry, and tall and gray
The silk-cored cotton with its bursting pod,
Some tarnished maple-boughs, and, like a flash
Of sudden flame, a branch of mountain ash.
She smiled, but it was not the welcoming smile
Of frank surrender. As a witching maid
In gorgeous garments cunningly arrayed
Might smile and draw them closer, hers the guile
To let men hope, pray, labor in love's stress
Ere they her hidden beauties may possess.
[Pg 74]
Deep in the heart of earth where the springs rise,
Down with the sweet linnæa and the moss,
In the brown thrush's throat, where the pines toss
In Winter's harrying storms her secret lies.
Ours the chill night-dews and the waiting pain
Ere we her fairy wealth may hope to gain.
'Tis so with knowledge. Eagerly we turn
Great Wisdom's page, and when our clear eyes grow
Dim in the dusk of years, and heads bend low
Weary at last, the truth we strove to learn
Is ours forever. But its joy of sight
Is dearly bought, methinks, with Youth's delight.
Fate, too, with chaffering voice and beckoning hand
Doles out our happiness; we snatch at wealth
[Pg 75] And pay with anxious care and fading health.
We call for Love, and dream that we shall stand
On ground enchanted, but, though sweet the way,
The rocks are sharp, and grief comes with the Day.
Even in love, Dear Heart, there is exchange
Of gifts and griefs, and so I render thee
Vows for thy vows, and pay unfalteringly
What love demands, nor ever deem it strange.
And when the snow drifts fast, and north-winds sting
I make no murmur, but await the Spring.
[Pg 76]

Song.

Joy came in youth as a humming-bird,
(Sing hey! for the honey and bloom of life!)
And it made a home in my summer bower
With the honeysuckle and the sweet-pea flower.
(Sing hey! for the blossoms and sweets of life!)
Joy came as a lark when the years had gone,
(Ah! hush, hush still, for the dream is short!)
And I gazed far up to the melting blue
Where the rare song dropped like a golden dew.
(Ah! sweet is the song tho' the dream be short!)
[Pg 77]
Joy hovers now in a far-off mist,
(The night draws on and the air breathes snow!)
And I reach, sometimes, with a trembling hand
To the red-tipped cloud of the joy-bird's land.
(Alas! for the days of the storm and the snow!)
[Pg 78]

To-Morrow.

But one short night between my Love and me!
I watch the soft-shod dusk creep wistfully
Through the slow-moving curtains, pausing by
And shrouding with its spirit-fingers free
Each well-known chair. There is a growing grace
Of tender magic in this little place.
Comes through half-opened windows, soft and cool
As Spring's young breath, the vagrant evening air,
My day-worn soul is hushed. I fain would bear
No burdens on my brain to-night, no rule
[Pg 79] Of anxious thought; the world has had my tears,
My thoughts, my hopes, my aims these many years;
This is Thy hour, and I shall sink to sleep
With a glad weariness, to know that when
The new day dawns I shall lay by my pen
Needed no more. If I, perchance, should weep
A few quick tears, so doing, who would guess
'Twas the last throb of my soul's loneliness?
Not even thou, Dear Heart, canst ever know
How I have yearned these many months, these years
For love, for thee. As the calm boatman steers
His slender shallop where he fain would go,
Tempests and rocks before, so through the dark
To this dim, far-off day has set my bark.
[Pg 80]
To-morrow! I can hear the quick-closed door,
The approaching steps, my pained heart's fluttering,
Thy voice, then Thee! And all the storm and sting
Of bygone griefs are passed forevermore,
Swept from my life as the resistless wind
Scatters the chaff, nor leaves a mote behind.
As long-imprisoned captives reach the light,
And gaze with greedy eyes on field and tree,
Drinking the beauties of the sky and sea
Half fearful of their bliss; so from the night
Of dreams and shades, half doubting, we awake
And grasp the joy we almost fear to take.
Thou hidest in thy warm ones my cold hand,
[Pg 81] Reading my soul in these unwavering eyes.
Nay, thou hast known my hopes, my agonies
Through written words, and thou canst understand.
I have kept nothing back of all the streams
Of my heart-flowings—doubts, nor fears, nor dreams.
So long my life has followed no control
But mine own impulse; now, I pray thee, bend
My will to thine, and so, unhindered, tend
My soul's wild garden. I have laid the whole
Bare to thy sowing; and life's precious wine
Is of thy pouring, and thy way is mine.
[Pg 82]

Song

Where is the waiting-time?
Where are the fears?
Gone with the winter's rime,
The bygone years.
O'er life's plain, lone and vast,
Slow treads the morn,
Night shades have moved and passed,
Joy's day is born.

THE END.






End of Project Gutenberg's A Woman's Love Letters, by Sophie M. Almon-Hensley

*** END OF THIS PROJECT GUTENBERG EBOOK A WOMAN'S LOVE LETTERS ***

***** This file should be named 18351-h.htm or 18351-h.zip *****
This and all associated files of various formats will be found in:
        http://www.gutenberg.org/1/8/3/5/18351/

Produced by Thierry Alberto, Christine D. and the Online
Distributed Proofreading Team at http://www.pgdp.net (This
file was produced from images generously made available
by the Canadian Institute for Historical Microreproductions
(www.canadiana.org))


Updated editions will replace the previous one--the old editions
will be renamed.

Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties.  Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark.  Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission.  If you
do not charge anything for copies of this eBook, complying with the
rules is very easy.  You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research.  They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks.  Redistribution is
subject to the trademark license, especially commercial
redistribution.



*** START: FULL LICENSE ***

THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg-tm License (available with this file or online at
http://gutenberg.org/license).


Section 1.  General Terms of Use and Redistributing Project Gutenberg-tm
electronic works

1.A.  By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement.  If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B.  "Project Gutenberg" is a registered trademark.  It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement.  There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement.  See
paragraph 1.C below.  There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works.  See paragraph 1.E below.

1.C.  The Project Gutenberg Literary Archive Foundation ("the Foundation"
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works.  Nearly all the individual works in the
collection are in the public domain in the United States.  If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed.  Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work.  You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.

1.D.  The copyright laws of the place where you are located also govern
what you can do with this work.  Copyright laws in most countries are in
a constant state of change.  If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work.  The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
States.

1.E.  Unless you have removed all references to Project Gutenberg:

1.E.1.  The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear prominently
whenever any copy of a Project Gutenberg-tm work (any work on which the
phrase "Project Gutenberg" appears, or with which the phrase "Project
Gutenberg" is associated) is accessed, displayed, performed, viewed,
copied or distributed:

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org

1.E.2.  If an individual Project Gutenberg-tm electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges.  If you are redistributing or providing access to a work
with the phrase "Project Gutenberg" associated with or appearing on the
work, you must comply either with the requirements of paragraphs 1.E.1
through 1.E.7 or obtain permission for the use of the work and the
Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
1.E.9.

1.E.3.  If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
terms imposed by the copyright holder.  Additional terms will be linked
to the Project Gutenberg-tm License for all works posted with the
permission of the copyright holder found at the beginning of this work.

1.E.4.  Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.

1.E.5.  Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.

1.E.6.  You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form.  However, if you provide access to or
distribute copies of a Project Gutenberg-tm work in a format other than
"Plain Vanilla ASCII" or other format used in the official version
posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
you must, at no additional cost, fee or expense to the user, provide a
copy, a means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original "Plain Vanilla ASCII" or other
form.  Any alternate format must include the full Project Gutenberg-tm
License as specified in paragraph 1.E.1.

1.E.7.  Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8.  You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works provided
that

- You pay a royalty fee of 20% of the gross profits you derive from
     the use of Project Gutenberg-tm works calculated using the method
     you already use to calculate your applicable taxes.  The fee is
     owed to the owner of the Project Gutenberg-tm trademark, but he
     has agreed to donate royalties under this paragraph to the
     Project Gutenberg Literary Archive Foundation.  Royalty payments
     must be paid within 60 days following each date on which you
     prepare (or are legally required to prepare) your periodic tax
     returns.  Royalty payments should be clearly marked as such and
     sent to the Project Gutenberg Literary Archive Foundation at the
     address specified in Section 4, "Information about donations to
     the Project Gutenberg Literary Archive Foundation."

- You provide a full refund of any money paid by a user who notifies
     you in writing (or by e-mail) within 30 days of receipt that s/he
     does not agree to the terms of the full Project Gutenberg-tm
     License.  You must require such a user to return or
     destroy all copies of the works possessed in a physical medium
     and discontinue all use of and all access to other copies of
     Project Gutenberg-tm works.

- You provide, in accordance with paragraph 1.F.3, a full refund of any
     money paid for a work or a replacement copy, if a defect in the
     electronic work is discovered and reported to you within 90 days
     of receipt of the work.

- You comply with all other terms of this agreement for free
     distribution of Project Gutenberg-tm works.

1.E.9.  If you wish to charge a fee or distribute a Project Gutenberg-tm
electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
both the Project Gutenberg Literary Archive Foundation and Michael
Hart, the owner of the Project Gutenberg-tm trademark.  Contact the
Foundation as set forth in Section 3 below.

1.F.

1.F.1.  Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
public domain works in creating the Project Gutenberg-tm
collection.  Despite these efforts, Project Gutenberg-tm electronic
works, and the medium on which they may be stored, may contain
"Defects," such as, but not limited to, incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other intellectual
property infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be read by
your equipment.

1.F.2.  LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees.  YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH F3.  YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.

1.F.3.  LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from.  If you
received the work on a physical medium, you must return the medium with
your written explanation.  The person or entity that provided you with
the defective work may elect to provide a replacement copy in lieu of a
refund.  If you received the work electronically, the person or entity
providing it to you may choose to give you a second opportunity to
receive the work electronically in lieu of a refund.  If the second copy
is also defective, you may demand a refund in writing without further
opportunities to fix the problem.

1.F.4.  Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.

1.F.5.  Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the
law of the state applicable to this agreement, the agreement shall be
interpreted to make the maximum disclaimer or limitation permitted by
the applicable state law.  The invalidity or unenforceability of any
provision of this agreement shall not void the remaining provisions.

1.F.6.  INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in accordance
with this agreement, and any volunteers associated with the production,
promotion and distribution of Project Gutenberg-tm electronic works,
harmless from all liability, costs and expenses, including legal fees,
that arise directly or indirectly from any of the following which you do
or cause to occur: (a) distribution of this or any Project Gutenberg-tm
work, (b) alteration, modification, or additions or deletions to any
Project Gutenberg-tm work, and (c) any Defect you cause.


Section  2.  Information about the Mission of Project Gutenberg-tm

Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of computers
including obsolete, old, middle-aged and new computers.  It exists
because of the efforts of hundreds of volunteers and donations from
people in all walks of life.

Volunteers and financial support to provide volunteers with the
assistance they need, is critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come.  In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation
and how your efforts and donations can help, see Sections 3 and 4
and the Foundation web page at http://www.pglaf.org.


Section 3.  Information about the Project Gutenberg Literary Archive
Foundation

The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service.  The Foundation's EIN or federal tax identification
number is 64-6221541.  Its 501(c)(3) letter is posted at
http://pglaf.org/fundraising.  Contributions to the Project Gutenberg
Literary Archive Foundation are tax deductible to the full extent
permitted by U.S. federal laws and your state's laws.

The Foundation's principal office is located at 4557 Melan Dr. S.
Fairbanks, AK, 99712., but its volunteers and employees are scattered
throughout numerous locations.  Its business office is located at
809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
[email protected].  Email contact links and up to date contact
information can be found at the Foundation's web site and official
page at http://pglaf.org

For additional contact information:
     Dr. Gregory B. Newby
     Chief Executive and Director
     [email protected]

Section 4.  Information about Donations to the Project Gutenberg
Literary Archive Foundation

Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment.  Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.

The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States.  Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements.  We do not solicit donations in locations
where we have not received written confirmation of compliance.  To
SEND DONATIONS or determine the status of compliance for any
particular state visit http://pglaf.org

While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.

International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States.  U.S. laws alone swamp our small staff.

Please check the Project Gutenberg Web pages for current donation
methods and addresses.  Donations are accepted in a number of other
ways including checks, online payments and credit card
donations.  To donate, please visit: http://pglaf.org/donate


Section 5.  General Information About Project Gutenberg-tm electronic
works.

Professor Michael S. Hart is the originator of the Project Gutenberg-tm
concept of a library of electronic works that could be freely shared
with anyone.  For thirty years, he produced and distributed Project
Gutenberg-tm eBooks with only a loose network of volunteer support.

Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as Public Domain in the U.S.
unless a copyright notice is included.  Thus, we do not necessarily
keep eBooks in compliance with any particular paper edition.

Most people start at our Web site which has the main PG search facility:

     http://www.gutenberg.org

This Web site includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.

*** END: FULL LICENSE ***